What i need to mix 5.1 waves nx pro#
What i need to mix 5.1 waves nx professional#

According to Waves, mixing for 5.1 is also possible with the new system, and all of this without colouring the sound. If the system lives up to the marketing hype, the advantages include no more cross-referencing between Speakers and headphones and longer listening sessions without ear fatigue.

What i need to mix 5.1 waves nx professional#

Advantages include portability, affordability, privacy вЂ“ with all the acoustic benefits of a great-sounding, fully professional mixing facility, say Waves. ItвЂ™s certainly not the first system to attempt this, but Waves claim their Nx technology lets you hear, on headphones, the same natural depth, natural reflections, and panoramic stereo image you would be hearing from speakers in an actual, physical room. You can also add a reverb send to the vocals if your vocalist needs some sweetening in their headphone mix.Waves Audio are to introduce Waves Nx, a Virtual Mix Room plug-in that aims to give you the optimal acoustics of a great mix room, but by using headphones. Here, you can turn on and adjust the volume of the headphone mix or turn on and adjust the click for the headphones only. Changing cue-mix faders adjusts the level of each track in the headphones, while your mix remains the same.Д¬lick the outputs toggle to open the headphone output. Moving these sliders will unlock them and allow you to change the mix if, for example, the singer wants less drums and bass and more guitar in their headphones. Their faders will be set to the same mix as the channel faders. Now go to the mixer and youвЂ™ll see cue sends at the bottom of each channel. Tick the Cue Mix box next to the output name, creating a Cue Mix in the mixer. In Preferences > Song Setup, add a new stereo output and name it. Just tweak to taste! Vox popД«efore recording, make sure your vocalist has a good headphone mix.

What i need to mix 5.1 waves nx pro#

Follow the tips in this video to be on your way to being a jetting pro Now this video shows a generalized procedure for adjusting the idle speed air/fuel mixture. PreSonus provides some excellent starting points for vocal tracks and allows you to get started quickly. The idle mixture screw is only one facet of overall carburetor jetting, however it is one of the first places to start when diagnosing a poorly running bike (motorcycle) or ATV (quad). We can choose a preset at this stage, too. Switch it to mono and label it вЂVox вЂ“ LeadвЂ™. Open the DAW and create a new audio track. Want to mix for 7.1, 5.1 or 5.0 surround on your regular stereo headphones Nx lets you do exactly that a revolution in surround mixing. Studio OneвЂ™s varied toolset should help you get 90 per cent of the way towards great vocal recordings. Once youвЂ™re satisfied that the input levels arenвЂ™t peaking at the preamp, itвЂ™s time to get into Studio One. Want to mix for 5.1 or 5.0 surround on your regular stereo headphones Waves Nx lets you do exactly that a true revolution in the world of surround mixing. Having someone sing through a song or just practise scales or warm-ups while you make adjustments will help when it comes to setting the gain of your mic at the interface. Fix your pop shield approximately five inches from the front of your microphone.Д¬onnect your mic to an audio interface and feed your signal into Studio One. YouвЂ™ll also need a pop screen (known also as a pop filter) to reduce plosives such as P and B sounds, which sound terrible and can ruin otherwise excellent vocal performances, and to stop spit from hitting the mic. The best option is a suspension mount, which should minimise noises coming from the mic stand itself. Stand mounts are available in a variety of shapes and sizes. Now youвЂ™ll need a solid mic stand and stand mount. Choose what sounds the best for each singer. These options provide loads of flexibility in the studio.Д®xperiment. Some condensers have options like multiple-pickup patterns (figure-8, omnidirectional and hypercardioid), high-pass filters, and even pad switches to reduce the sensitivity allowing you to record louder sources. In both cases, youвЂ™ll want a dynamic mic.Д¬ondensers and dynamics typically feature a cardioid pickup pattern, which means the mics mostly pick up sounds in front of the capsule, and reject sounds coming from their sides and rear. For vocals, itвЂ™s generally best to use a condenser as they are more sensitive and capture detail and nuance however, some singers might need to take hold of a mic to give their best performance or might simply want a grittier sound. Each of these microphones can handle vocal recordings but, for the purposes of this tutorial, letвЂ™s focus on low-cost, high-quality dynamic and condenser mics.